the magic of hannah gadsby's nanette is that the opening is a soft that seems sharp, and opens the story for her worst trauma
and the ending is a sharp that seems soft, and demonstrates how far that trauma reaches
i think as a storyteller i have a desire for the stories of my life to have arcs, to have protagonists and antagonists, to categorically belong to one genre or another
there is nothing, nothing in my life that actually makes sense
the original gendered harm of my life is the presence of my mother, which does not make sense
the original sexual trauma of my life is access to the desires i acted upon, which does not make sense
who could believe in faith healing? who could believe in a Divine Mind? who could believe in a nuclear family? who could believe in a god?
i remember kicking my feet beneath the sunday school table and telling myself inside my head all the ways that the stories did not make sense
i remember witnessing my mother's infighting with other sunday school teachers and telling myself inside my head all the ways their interpersonal behavior did not make sense
and i am not stupid, and i knew early that i would force myself to become what i first perceived as the opposite of my mother
and what i now know is simply an assertion of self, without requiring definition from my mother as a pole star.
when you are parented by a narcissist, they are the pole star. they are the alpha and omega, the sun and the moon, the day and the night
and you will rise and fall just as their mood, just as their self-concept, just as the outcomes of their lives.
i wonder if she never chased stronger employment because she thought she was not worthy?
she would never be able to admit it if so, in any circumstance. it will always be a story about her sacrifice
of her self for her children, of her adherence to the nuclear family narrative at any cost, of her devotion to having a husband and two children and a single family home.
i am not satisfied.
i am not satisfied by the experience of a spouse and homeownership, i am not satisfied by any single narrative of what i am capable of, i am not satisfied
with the sacrifice of my self for any other human being. movement be damned. i have paid enough.
the movement is not a religion to demand not just my money or time or health or body, the movement is not a cult to demand my allegiance, the movement is not a gender
to demand my obedience. if the body politic cannot be defined in any one human then i do not break it, even when i leave.
i have been simmering, brewing in the basting of my worst years, my worst experiences. i have been rising in the heat of my mother's shame for three years,
cocooned in what little security i could curate for myself, wrapped in the plurality of my rages.
i am angry. oh, i am angry.
in public settings i write polemics, odes to the great necessity of forwarding the work, incantations to the grinding labor of the movement.
i believe myself, sometimes.
when abraham agreed to kill his son, was god real then? when my mother inculcated her bodily shame and self-hatred directly into the souls
of two blonde little girls, was god real then? and what is the difference between the two?
my sister is so absent in my memories. quiet, inactive. i remember her being seen as the sweeter one, more worthy of praise
and i remember how it did not bother me, how narratives of sibling rivalries in sitcoms and fairy tales rang empty for me, so empty
was the way i felt for her. i have never had kindred, i have never truly been in relationship with anyone
which is a new story i tell myself, a new devaluation of how many humans have sat face to face with me over the course of several hours
and several weeks and months and years and confessed to me all of what they most feared, including their self assessments.
there is no denying that i have loved many people very well, only a denying that any of it meant anything.