he said, tell a story.
give the context, and make the poem
breathe a little heavier for it.
he said, i am from pickwa ohio
and people there die,
and i said, i know they do.
(people from ohio
die young and old but always tragically,
though never from a drive-by
or an airplane crash,
usually just cancer or tractor accidents.)
people from ohio
all grew up in one-room schoolhouses
and poked crawdads with sticks and ate pokeberries
and dreamt of being one of the ones
who does not survive their 45th year
of being a farmer
to an ungrateful leached dry corn field.
stanley plumly said, this
is the way to get out of anything:
dance.
and i'm dancing my way to my car that night
and i'm thinking:
people from ohio are all the same,
all grew up in the shadow of insane asylums
and rivers that lit on fire in the 1960s
(memories only ohioans can see: ghosts of human victims,
ghosts of genetically manipulated fish),
(memories only ohioans can see: ghosts of human victims,
ghosts of genetically manipulated fish),
people from ohio are born
already situated in the middle ground,
the demographic demarcations of society
having no effect in a place like east cleveland
or the foothills of appalachia—
people from ohio have a higher amount of nitrogen
and arsenic and fluoride in their bodies
simply for having been grown in ohio.
i know these things because i am from ohio,
because arsenic and corn and concrete have lived in my heart
since i was old enough to recognize
what having mud and dirt and chemicals in the bloodstream can feel like:
and the kid who sat across from me in social studies
found a rope of the right length
and hung himself from an incredibly stable ceiling fan,
and when we found him
he was still dancing, jumping a little, maybe it was just
the polluted blood still pumping.
i am from ohio in the same way
calves are from cows.
and i have seen a lot of cows.
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